People of Georgian: Professor creates art about diversity, history and representation
September 24, 2021

People of Georgian: Meet Angela Aujla

It’s really meaningful for people to see themselves represented. 

Years ago, I wrote a paper looking at the representation of race and gender in children’s literature, which involved an analysis of the visuals and text in over 100 picture books.

A person with black hair, black dress, white running shoes and black purse, smiles and leans against a red, blue, green and brown mosaic mural.

It all started from being at the library with my toddler (who is now 17).

I quickly noted that most of the characters in the giant stack of books we were reading were white, and if racialized characters appeared at all, it was usually tied to something cultural or “traditional.”

‘They couldn’t just be regular kids’

They couldn’t just be regular kids having an adventure, but more often than not served as exotic curiosities. 

Speaking from experience – and existing research – it has a detrimental impact when you don’t see yourself in the media you consume, or if that media is stereotypical. 

Thankfully this has improved considerably with more diverse authors and topics finally being published.

‘When people think of Sikh culture, they often think of men with turbans, but where are the women?’

My art projects tend to be focused on the Punjabi-Sikh diaspora, which comes naturally to me because that’s my cultural background and experience. That has also been an academic interest, so it connects well.

Lately, I’ve focused on female figures in Punjabi or Indian history, such as Gulab Kaur, an anticolonial revolutionary, and Amrita Pritam, a Sikh poet.

Artwork showing an elephant with a flower design superimposed on top, standing on yellow and black writing, in front of a building coloured red, against a blue sky with an India stamp in the top-right corner and a design of flowers and leaves across the top.
Courtesy Angela Aujla.
A black-and-white photo of a monkey sitting down with images of tigers, writing and dots in a variety of colours superimposed overtop.
Courtesy Angela Aujla.

When people think of Sikh culture, they often think of men with turbans, but where are the women? What was happening in the private sphere of women’s lives?

While not well documented, their resourceful adaptations to Canadian culture, their bonds, their stories of hardship and isolation are also part of history.

My academic work, teaching, and art have a common thread of being tied to social justice in some way, especially addressing issues of absences and inaccuracies in what we’ve learned.

For example, when we think about Canadian history, what emerges as our notion of who a “Canadian” is? It’s very narrow and sanitized.

Angela Aujla, Georgian professor and visual artist, illustrated this video about the Komagata Maru incident for Historica Canada.

Do we learn about the history of racialized groups in Canada? That there were labourers here in the late 1800s and early 1900s from places like China, India and Japan?

About the white supremacy underlying early immigration policies?

What do we learn about the way colonialism was carried out in genocidal ways against Indigenous People, and their resistance against it? Not enough.

So many big pieces are left out. That in itself is an injustice.

Angela Aujla, Georgian professor

It’s important to fill in those gaps, and I optimistically think there might be less backlash against BIPOC groups today if we had this historical understanding at a young age.

Angela Aujla, Professor (sociology) in Georgian’s Liberal Arts department, Curriculum Advisor, Office of Academic Quality, and visual artist.